<?xml version='1.0' encoding='UTF-8'?><?xml-stylesheet href="http://www.blogger.com/styles/atom.css" type="text/css"?><feed xmlns='http://www.w3.org/2005/Atom' xmlns:openSearch='http://a9.com/-/spec/opensearchrss/1.0/' xmlns:georss='http://www.georss.org/georss' xmlns:gd='http://schemas.google.com/g/2005' xmlns:thr='http://purl.org/syndication/thread/1.0'><id>tag:blogger.com,1999:blog-7502794486941035938</id><updated>2011-07-17T09:57:23.993-07:00</updated><title type='text'>The Visible Unseen: A Chronicle of Writing Outside of Borders</title><subtitle type='html'>Are poetry and prose virtual realities, simulations of something other, or the real thing? Where does the “I” live? How many moments exist in the moment of the line? What borders of form are crucial for us to hang on to &amp; which boundaries are collapsible? In this workshop, we explore the connections and tensions between the visible and the unseen world/s, not as dualities or binaries, but as complementary sites of composition.</subtitle><link rel='http://schemas.google.com/g/2005#feed' type='application/atom+xml' href='http://visibleunseen.blogspot.com/feeds/posts/default'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7502794486941035938/posts/default?max-results=100'/><link rel='alternate' type='text/html' href='http://visibleunseen.blogspot.com/'/><link rel='hub' href='http://pubsubhubbub.appspot.com/'/><author><name>William Owen</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://2.bp.blogspot.com/-Cx8Eix0TUng/TiMUa6glgkI/AAAAAAAAAF0/inCbqz9Hh1I/s220/glare%2Bmesm.JPG'/></author><generator version='7.00' uri='http://www.blogger.com'>Blogger</generator><openSearch:totalResults>2</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>100</openSearch:itemsPerPage><entry><id>tag:blogger.com,1999:blog-7502794486941035938.post-7010281629136263140</id><published>2007-03-29T13:20:00.000-07:00</published><updated>2007-03-29T13:24:57.976-07:00</updated><title type='text'>BushWick Farms Presents</title><content type='html'>&lt;span style="font-size:85%;"&gt;This seemed quiet interesting to some of the ideas that have been cropping up in the workshop:&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: georgia;"&gt;&lt;span style="font-size:130%;"&gt;Bushwick Farms is an endeavor interested in blurring the boundaries between art and life. Cuthbert and Solzberg's process is multi-faceted and manifests itself in diverse forms. Incorporating mediums such as performance art, photography, video, interactive installation and constructed mythologies, they attempt to make their conceptual narrative real.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Read more here: &lt;/span&gt;&lt;a href="http://www.tarpaulinsky.com/Fall06/Bushwick/index.html"&gt;&lt;span style="font-style: italic;"&gt;Tarpaulin Sky&lt;/span&gt;&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7502794486941035938-7010281629136263140?l=visibleunseen.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://visibleunseen.blogspot.com/feeds/7010281629136263140/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=7502794486941035938&amp;postID=7010281629136263140' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7502794486941035938/posts/default/7010281629136263140'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7502794486941035938/posts/default/7010281629136263140'/><link rel='alternate' type='text/html' href='http://visibleunseen.blogspot.com/2007/03/bushwick-farms-presents.html' title='BushWick Farms Presents'/><author><name>William Owen</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://2.bp.blogspot.com/-Cx8Eix0TUng/TiMUa6glgkI/AAAAAAAAAF0/inCbqz9Hh1I/s220/glare%2Bmesm.JPG'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7502794486941035938.post-2009821327023825239</id><published>2007-03-14T09:44:00.000-07:00</published><updated>2007-03-14T09:49:47.698-07:00</updated><title type='text'>Getting the ball rolling</title><content type='html'>&lt;span style="font-size:85%;"&gt;Here is something I found interesting on the &lt;a href="http://groups.yahoo.com/group/media-squatters/"&gt;&lt;span class="blsp-spelling-error" id="SPELLING_ERROR_0"&gt;Mediasquatters&lt;/span&gt;&lt;/a&gt; group and I personally see implications within it relating some of the subjects we have been/are discussing, at least in terms of considering poetics (in whichever form you choose to take them. I prefer &lt;span class="blsp-spelling-corrected" id="SPELLING_ERROR_1"&gt;lozenge&lt;/span&gt;).&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;h2&gt;&lt;a rel="nofollow" target="_blank" href="http://groups.yahoo.com/group/media-squatters/message/15333;_ylc=X3oDMTJycmM1cmpsBF9TAzk3MzU5NzE1BGdycElkAzEzNzEwMDgEZ3Jwc3BJZAMxNzA1MDYzOTg1BG1zZ0lkAzE1MzMzBHNlYwNkbXNnBHNsawN2bXNnBHN0aW1lAzExNzMzNjg0Mjg-" name="1"&gt;          Exploring the Roots of Reason&lt;/a&gt;&lt;/h2&gt;&lt;br /&gt;One of my earliest memories of questioning more than just the dictates&lt;br /&gt;of family was sitting in church at about ten years old and vaguely&lt;br /&gt;wondering what purpose all that ritual really served. At that age the&lt;br /&gt;idea of God seemed so transcendent and religion only served to obscure&lt;br /&gt;and trivialize it. After several decades of trying to make sense of&lt;br /&gt;this world, it seems to me as though life is like an onion. You peel&lt;br /&gt;away every layer and finally there is nothing left. We distill away&lt;br /&gt;everything that seems transitory about life, searching for some hard&lt;br /&gt;little nugget of meaning and when we are done, have so little to show&lt;br /&gt;for it. The problem isn't life, the problem is the idea of meaning.&lt;br /&gt;Life is dynamic and holistic. Meaning is static and &lt;span class="blsp-spelling-error" id="SPELLING_ERROR_2"&gt;reductionistic&lt;/span&gt;.&lt;br /&gt;Thought is linear, reality is not. As an organ, the brain evolved for&lt;br /&gt;navigation and survival, so it tends to concentrate on the problems.&lt;br /&gt;How do we escape the obsessions of our mortality and see through the&lt;br /&gt;walls of our own bubble?&lt;br /&gt;&lt;br /&gt;To begin with, there are two errors at the base of modern logic. The&lt;br /&gt;first is that geometry never fully incorporated the zero. Consider that&lt;br /&gt;points, lines and planes supposedly have a zero dimension. Well, 1x0=0.&lt;br /&gt;What they really have is a virtual dimension, not zero dimension. While&lt;br /&gt;a point can presumably be dimensionless, it is still a specific point&lt;br /&gt;of reference. The real zero for geometry would be empty space. It is&lt;br /&gt;the potential for any point, not a specific one. Also, three dimensions&lt;br /&gt;are the coordinate system of the point these lines cross, not space&lt;br /&gt;itself. Any number of coordinate systems, starting from any point, can&lt;br /&gt;be used to define the same space. You might say the Israelis and the&lt;br /&gt;Arabs use different coordinate systems to define the same land.&lt;br /&gt;&lt;br /&gt;The other issue concerns the nature of time. For one thing, time has&lt;br /&gt;two directions. The observer goes from past events to future events. On&lt;br /&gt;the other hand, these events go from being in the future to being in&lt;br /&gt;the past. To the hands of the clock, the face is going&lt;br /&gt;counterclockwise. The three dimensional frame of reference is not&lt;br /&gt;moving along an additional dimension.  This subjective coordinate&lt;br /&gt;system is interacting with other such frames. To quote Newton, "For&lt;br /&gt;every action, there is an equal and opposite reaction."&lt;br /&gt;&lt;br /&gt;If we were to build a clock-like device to characterize non-linear&lt;br /&gt;motion, say of molecules in water, or people in a crowd, it would have&lt;br /&gt;many hands, going in both directions and the cumulative action would&lt;br /&gt;cancel out in a general equilibrium. With the concept of time, most of&lt;br /&gt;these hands are combined into the face, with a few going in one&lt;br /&gt;direction as coordinates for the reference point. Time is a linear&lt;br /&gt;component of motion, not the basis for  it.&lt;br /&gt;&lt;br /&gt;The unit of time goes from beginning to end, but the process of time&lt;br /&gt;is going toward the beginning of the next, leaving the old. The hour on&lt;br /&gt;the clock starts in the future and the hand passes from its beginning&lt;br /&gt;to its end and then moves on to the next, leaving the previous hour in&lt;br /&gt;the past. Days go from dawn to dusk, as the sun moves from east to&lt;br /&gt;west, but it is the earth that is rotating west to east and the&lt;br /&gt;sunlight is moving through the time zones. Consider a factory. The&lt;br /&gt;product moves from start to finish, but the production line is facing&lt;br /&gt;the other way, consuming raw material and expelling finished product. &lt;br /&gt;This relationship of the process and the unit is one of perspective. A&lt;br /&gt;unit at one level is a process at another and vice &lt;span class="blsp-spelling-error" id="SPELLING_ERROR_3"&gt;versa&lt;/span&gt;. What matters&lt;br /&gt;to the  process isn't so much the end product, as it is the energy&lt;br /&gt;produced, in wages and profits, calories burned, etc, that propels the&lt;br /&gt;process forward, consuming more material.&lt;br /&gt;&lt;br /&gt;Our individual lives are units of time going from birth to death, while&lt;br /&gt;the process of living goes on to the next generation, shedding the old&lt;br /&gt;like dead skin. As life has purpose, rather then meaning, the&lt;br /&gt;relationship of the individual life to the larger organism is like that&lt;br /&gt;of a sentence to the story. The end is punctuation, rather then&lt;br /&gt;destination, as we are connected at both ends and the middle.&lt;br /&gt;&lt;br /&gt;The reason time appears as a series of instants is because most motion&lt;br /&gt;is effectively at the speed of light and our mind is a process of&lt;br /&gt;consuming information and creating conceptual units, called thoughts,&lt;br /&gt;otherwise everything would be a blur.&lt;br /&gt;&lt;br /&gt;Reality consists of energy recording information. As the amount of&lt;br /&gt;energy remains the same, old information is erased as new is recorded. &lt;br /&gt;Objective reality is the energy. Time is  a function of the subjective&lt;br /&gt;information, as past and future do not physically exist because the&lt;br /&gt;energy to manifest them is currently tied up in the present. If another&lt;br /&gt;moment were to exist, it would require its own energy and so would not&lt;br /&gt;be on a continuum with our reality.&lt;br /&gt;&lt;br /&gt;Time is not so much a projection out from the present event, as it is&lt;br /&gt;a coming together of factors to define what is present. The past being&lt;br /&gt;those influences which define current order and the future is&lt;br /&gt;determined by the energy to motivate that order. Evolution is when&lt;br /&gt;order is an open set and absorbs fresh energy, defining it and adapting&lt;br /&gt;to it, so that the future is a continuation of the past. Revolution is&lt;br /&gt;when order is a closed set, so the energy accumulates elsewhere and the&lt;br /&gt;future becomes a reaction to the past. While the past informs us, it&lt;br /&gt;also recedes at a rapid rate.&lt;br /&gt;&lt;br /&gt;One definition of the arrow of time is that of decreasing usable&lt;br /&gt;energy and increasing entropy in a closed system. Keep in mind though,&lt;br /&gt;that a "closed system" is a unit and these processes are the aging of&lt;br /&gt;this unit.  This relationship of the unit and the process is the basic&lt;br /&gt;model that the field of Complexity Theory(www.&lt;span class="blsp-spelling-error" id="SPELLING_ERROR_4"&gt;santafe&lt;/span&gt;. &lt;span class="blsp-spelling-error" id="SPELLING_ERROR_5"&gt;edu&lt;/span&gt;) has examined&lt;br /&gt;in great detail, with top down ordering in a bottom up chaotic&lt;br /&gt;environment. Such as the corporate unit in the context of capitalism.&lt;br /&gt;It is the individual and the ecosystem. The reason the bottom up&lt;br /&gt;context is logically chaotic is that its parameters cannot be defined,&lt;br /&gt;or it would become a unit in the next level of context.&lt;br /&gt;&lt;br /&gt;Even though we have come to understand there is no preferred frame of&lt;br /&gt;reference, when we define reality as three dimensional space, with the&lt;br /&gt;linear graph of motion as a fourth dimension, we are using the&lt;br /&gt;perspective of the generic point as the basis for explaining reality,&lt;br /&gt;but a more objective description requires understanding how many such&lt;br /&gt;points interact. How should we go about considering objective reality,&lt;br /&gt;when the very concept of perspective implies a point of reference? Our&lt;br /&gt;fundamental process of thought is inherently &lt;span class="blsp-spelling-error" id="SPELLING_ERROR_6"&gt;reductionistic&lt;/span&gt; and linear,&lt;br /&gt;so how do we reconcile it with a reality that is neither? It is through&lt;br /&gt;the stacking relationships of unit and process. Temperature is how we&lt;br /&gt;conceive of non-linear motion.  It is a statistical measure that begins&lt;br /&gt;to lose meaning at the molecular level, as individual molecules are&lt;br /&gt;moving along particular trajectories and at specific velocities. At the&lt;br /&gt;human level, government statistics are a form of temperature reading of&lt;br /&gt;economic activity. To the individual, motion is experienced as the&lt;br /&gt;linear procession of events, thus our assumption that time is the basis&lt;br /&gt;of motion, but to the larger group there is no preferred frame of&lt;br /&gt;reference. It is the concept of temperature, the level of activity and&lt;br /&gt;energy, that describes non-linear motion.&lt;br /&gt;&lt;br /&gt;As politics is the process of organizing and refereeing competing&lt;br /&gt;perspectives, it has more in common with the mass motion of temperature&lt;br /&gt;then the linear motion of time. While particular movements have their&lt;br /&gt;own historical perspective, consideration of the past and concern for&lt;br /&gt;the future don't resonate across a fractured and fractious political&lt;br /&gt;landscape.&lt;br /&gt;&lt;br /&gt;Most of human evolution was as members of a group and this, more then&lt;br /&gt;the individual, provided the frame of perspective. As people became&lt;br /&gt;ever more aware of their own individuality, the group perspective&lt;br /&gt;became the basis for the concept of God, to which the evolution of&lt;br /&gt;language embellished and attached narrative structure. As groups&lt;br /&gt;intermingled and otherwise interacted with the environment, this&lt;br /&gt;mythological structure grew and evolved, while the basic sense of being&lt;br /&gt;part of some larger entity remained. The result being these convoluted&lt;br /&gt;religious institutions, which people then focus on the aspects of that&lt;br /&gt;have particular resonance.&lt;br /&gt;&lt;br /&gt;While the religious institution is ordered from the top(God) down, it&lt;br /&gt;has evolved from the bottom up, much like the human psyche is based on&lt;br /&gt;those elementary childhood experiences, no matter how subjective and&lt;br /&gt;particular they might be. The reason that even religion has evolved&lt;br /&gt;from the bottom up is that the absolute, that universal state of&lt;br /&gt;equilibrium, is basis, not apex. It is the element out of which&lt;br /&gt;structure rises, not the plan by which it is formed. The principles&lt;br /&gt;which define form are as much compilations of more basic principles as&lt;br /&gt;the matter they shape is complex interactions of more basic elements.&lt;br /&gt;So the spiritual absolute is not a model of perfection from which we&lt;br /&gt;have fallen, but the essence of being and awareness out of which we&lt;br /&gt;rise.&lt;br /&gt;&lt;br /&gt;The institutional description of God focuses on the quality of&lt;br /&gt;intelligence, rather then of basic awareness. This has an important&lt;br /&gt;political consequence because it validates the top down structure. We&lt;br /&gt;have developed any number of other such structures. They have an&lt;br /&gt;organizing purpose and principle to maintain their viability in the&lt;br /&gt;chaos of the larger environment, be it the external defense of&lt;br /&gt;territory, or the internal provision for the needs of those within it,&lt;br /&gt;whether families or nations. In the process of developing this unitary&lt;br /&gt;structure, it is easy to overlook the dualistic nature of the forces at&lt;br /&gt;work, between the top down order and bottom up process, so that&lt;br /&gt;frequently those governing this entity abrogate all rights but their&lt;br /&gt;own. Much of human history has been the story of reconciling this top&lt;br /&gt;down authority with the organic society it seeks to control. These&lt;br /&gt;forces are reconciled within our own civil organization by the fact&lt;br /&gt;that the republic is a top down structure, while democracy is a bottom&lt;br /&gt;up process.&lt;br /&gt;&lt;br /&gt;Atheism tends to have the same top down bias, with the assumption that&lt;br /&gt;awareness is a property of mental processes and only really emergent in&lt;br /&gt;humanity. This prejudice doesn't explain the motivational instincts of&lt;br /&gt;all biological organisms. There are two mysteries, life and&lt;br /&gt;consciousness. It seems logical that the roots of awareness extend to&lt;br /&gt;the very base of biology and these two are one mystery. Awareness is&lt;br /&gt;the organizing principle of the central nervous system, rather then a&lt;br /&gt;property of it. Knowledge is the subjective ordering system, which we&lt;br /&gt;project, like four dimensional &lt;span class="blsp-spelling-error" id="SPELLING_ERROR_7"&gt;spacetime&lt;/span&gt;, on reality. Good and bad are&lt;br /&gt;not a dual between the forces of light and darkness, but the biological&lt;br /&gt;binary code. The intellect rises out of emotion when good/bad becomes&lt;br /&gt;yes/no. For the process, they are relative. What is good for the fox,&lt;br /&gt;is bad for the chicken. For the individual, they could well be&lt;br /&gt;absolute, at least to the chicken.&lt;br /&gt;&lt;br /&gt;While we are possessed of and motivated by this singular sense of&lt;br /&gt;being, the world which we are conscious of is one of contrasts,&lt;br /&gt;good/bad, yes/no, positive/negative, light/dark, up/down, left/right,&lt;br /&gt;inside/outside, male/female, past/future, unit/process,&lt;br /&gt;individual/group, absolute/infinite, order/chaos, expanding&lt;br /&gt;energy/collapsing mass, cats/dogs, &lt;span class="blsp-spelling-error" id="SPELLING_ERROR_8"&gt;etcetcetc&lt;/span&gt;... Even the absolute, as&lt;br /&gt;universal equilibrium, is both everything and nothing, as in absolute&lt;br /&gt;zero. Then there are the connections, the colors of the spectrum, the&lt;br /&gt;complexities of nature and life and society, the neurons of the brain,&lt;br /&gt;observer and observation, attraction as well as repulsion and all the&lt;br /&gt;other forces holding it together, but not too together. This is because&lt;br /&gt;it is all those contrasts and conflicts that give weight and shape to&lt;br /&gt;reality. Without all these natural tensions, it would be just a flat&lt;br /&gt;line on the heart monitor. Sometimes they do tear everything apart, but&lt;br /&gt;often they mesh together in some larger whole.&lt;br /&gt;&lt;br /&gt;There is a time in one's life when the father goes from being the model&lt;br /&gt;one follows, to the foundation one rises from. I think humanity is&lt;br /&gt;simply at that stage.&lt;br /&gt;&lt;br /&gt;John &lt;span class="blsp-spelling-error" id="SPELLING_ERROR_9"&gt;Brodix&lt;/span&gt; &lt;span class="blsp-spelling-error" id="SPELLING_ERROR_10"&gt;Merryman&lt;/span&gt; Jr.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7502794486941035938-2009821327023825239?l=visibleunseen.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://visibleunseen.blogspot.com/feeds/2009821327023825239/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=7502794486941035938&amp;postID=2009821327023825239' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7502794486941035938/posts/default/2009821327023825239'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7502794486941035938/posts/default/2009821327023825239'/><link rel='alternate' type='text/html' href='http://visibleunseen.blogspot.com/2007/03/getting-ball-rolling.html' title='Getting the ball rolling'/><author><name>William Owen</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://2.bp.blogspot.com/-Cx8Eix0TUng/TiMUa6glgkI/AAAAAAAAAF0/inCbqz9Hh1I/s220/glare%2Bmesm.JPG'/></author><thr:total>0</thr:total></entry></feed>
